{"id":703,"date":"2026-03-07T12:07:42","date_gmt":"2026-03-07T11:07:42","guid":{"rendered":"https:\/\/antignani.art\/?page_id=703"},"modified":"2026-03-15T23:41:57","modified_gmt":"2026-03-15T22:41:57","slug":"publications","status":"publish","type":"page","link":"https:\/\/antignani.art\/en\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n<section class=\"wp-block-greenshift-blocks-row alignfull gspb_row gspb_row-id-gsbp-a69c844\" id=\"gspb_row-id-gsbp-a69c844\"><div class=\"gspb_row__content\"> \n<div class=\"wp-block-greenshift-blocks-row-column gspb_row__col--12 gspb_col-id-gsbp-d7aa595\" id=\"gspb_col-id-gsbp-d7aa595\">\n<div data-id=\"fd4ec7dc\" class=\"wp-block-blocksy-query\"><div class=\"ct-query-template-default is-layout-flow\"><article class=\"wp-block-post is-layout-flow post-1288 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-content-justification-right is-layout-constrained wp-container-core-column-is-layout-6622d5a6 wp-block-column-is-layout-constrained\" style=\"flex-basis:25%\"><a style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--20);margin-right:var(--wp--preset--spacing--20);width: 200px;height: 200px\" class=\"ct-dynamic-media wp-elements-c1c38bace8830d3311f4639397d40144\" aria-label=\"&#8220;Viva le donne in rivolta del Rojava e la testimonianza di Zehra Dogan&#8221;\" href=\"https:\/\/www.cultweek.com\/viva-le-donne-in-rivolta-del-rojava-e-la-testimonianza-di-zehra-dogan\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span data-hover=\"zoom-in\" class=\"ct-dynamic-media-inner\" style=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1342\" height=\"566\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA.png\" class=\"attachment-full size-full\" alt=\"\" style=\"width:100%;height:100%;object-fit: contain;\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA.png 1342w, https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA-300x127.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA-1024x432.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA-768x324.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA-18x8.png 18w\" sizes=\"auto, (max-width: 1342px) 100vw, 1342px\" \/><\/span><\/a><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div style=\"margin-top:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--70);margin-right:var(--wp--preset--spacing--70)\" class=\"ct-dynamic-data has-text-align-right wp-elements-b82864bb0611d29f1a0a4395b03a49f5 has-small-font-size\"><a href=\"https:\/\/www.cultweek.com\/viva-le-donne-in-rivolta-del-rojava-e-la-testimonianza-di-zehra-dogan\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">10 March 2026<\/a><\/div>\n\n<h3 style=\"font-style:normal;font-weight:500;margin-bottom:var(--wp--preset--spacing--20);margin-top:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--50);margin-right:var(--wp--preset--spacing--50)\" class=\"ct-dynamic-data wp-elements-2cb77ef7563686b15c316fda2cf17225 has-medium-font-size\"><a href=\"https:\/\/www.cultweek.com\/viva-le-donne-in-rivolta-del-rojava-e-la-testimonianza-di-zehra-dogan\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">&#8220;Viva le donne in rivolta del Rojava e la testimonianza di Zehra Dogan&#8221;<\/a><\/h3>\n\n<div style=\"font-size:14px;margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\" class=\"ct-dynamic-data has-text-align-left wp-elements-8895849e4d5cd4e34cbf1e1789b81264\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div><\/div>\n<\/div>\n\n<\/article><article class=\"wp-block-post is-layout-flow post-556 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-content-justification-right is-layout-constrained wp-container-core-column-is-layout-6622d5a6 wp-block-column-is-layout-constrained\" style=\"flex-basis:25%\"><a style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--20);margin-right:var(--wp--preset--spacing--20);width: 200px;height: 200px\" class=\"ct-dynamic-media wp-elements-c1c38bace8830d3311f4639397d40144\" aria-label=\"\u201cShirin Neshat, nostalgia come motore immobile\u201d\" href=\"https:\/\/www.cultweek.com\/shirin-neshat-nostalgia-come-motore-immobile\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span data-hover=\"zoom-in\" class=\"ct-dynamic-media-inner\" style=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1254\" height=\"565\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/1.png\" class=\"attachment-full size-full\" alt=\"\" style=\"width:100%;height:100%;object-fit: contain;\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/1.png 1254w, https:\/\/antignani.art\/wp-content\/uploads\/1-300x135.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/1-1024x461.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/1-768x346.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/1-18x8.png 18w\" sizes=\"auto, (max-width: 1254px) 100vw, 1254px\" \/><\/span><\/a><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div style=\"margin-top:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--70);margin-right:var(--wp--preset--spacing--70)\" class=\"ct-dynamic-data has-text-align-right wp-elements-b82864bb0611d29f1a0a4395b03a49f5 has-small-font-size\"><a href=\"https:\/\/www.cultweek.com\/shirin-neshat-nostalgia-come-motore-immobile\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">6 May 2025<\/a><\/div>\n\n<h3 style=\"font-style:normal;font-weight:500;margin-bottom:var(--wp--preset--spacing--20);margin-top:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--50);margin-right:var(--wp--preset--spacing--50)\" class=\"ct-dynamic-data wp-elements-2cb77ef7563686b15c316fda2cf17225 has-medium-font-size\"><a href=\"https:\/\/www.cultweek.com\/shirin-neshat-nostalgia-come-motore-immobile\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cShirin Neshat, nostalgia come motore immobile\u201d<\/a><\/h3>\n\n<div style=\"font-size:14px;margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\" class=\"ct-dynamic-data has-text-align-left wp-elements-8895849e4d5cd4e34cbf1e1789b81264\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div><\/div>\n<\/div>\n\n<\/article><article class=\"wp-block-post is-layout-flow post-579 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-content-justification-right is-layout-constrained wp-container-core-column-is-layout-6622d5a6 wp-block-column-is-layout-constrained\" style=\"flex-basis:25%\"><a style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--20);margin-right:var(--wp--preset--spacing--20);width: 200px;height: 200px\" class=\"ct-dynamic-media wp-elements-c1c38bace8830d3311f4639397d40144\" aria-label=\"\u201cL\u2019ombra del maglio, l\u2019ombra di tutti\u201d\" href=\"https:\/\/www.cultweek.com\/lombra-del-maglio-lombra-di-tutti\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span data-hover=\"zoom-in\" class=\"ct-dynamic-media-inner\" style=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1337\" height=\"563\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/2.png\" class=\"attachment-full size-full\" alt=\"\" style=\"width:100%;height:100%;object-fit: contain;\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/2.png 1337w, https:\/\/antignani.art\/wp-content\/uploads\/2-300x126.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/2-1024x431.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/2-768x323.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/2-18x8.png 18w\" sizes=\"auto, (max-width: 1337px) 100vw, 1337px\" \/><\/span><\/a><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div style=\"margin-top:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--70);margin-right:var(--wp--preset--spacing--70)\" class=\"ct-dynamic-data has-text-align-right wp-elements-b82864bb0611d29f1a0a4395b03a49f5 has-small-font-size\"><a href=\"https:\/\/www.cultweek.com\/lombra-del-maglio-lombra-di-tutti\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">4 February 2025<\/a><\/div>\n\n<h3 style=\"font-style:normal;font-weight:500;margin-bottom:var(--wp--preset--spacing--20);margin-top:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--50);margin-right:var(--wp--preset--spacing--50)\" class=\"ct-dynamic-data wp-elements-2cb77ef7563686b15c316fda2cf17225 has-medium-font-size\"><a href=\"https:\/\/www.cultweek.com\/lombra-del-maglio-lombra-di-tutti\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cL\u2019ombra del maglio, l\u2019ombra di tutti\u201d<\/a><\/h3>\n\n<div style=\"font-size:14px;margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\" class=\"ct-dynamic-data has-text-align-left wp-elements-8895849e4d5cd4e34cbf1e1789b81264\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div><\/div>\n<\/div>\n\n<\/article><article class=\"wp-block-post is-layout-flow post-585 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-content-justification-right is-layout-constrained wp-container-core-column-is-layout-6622d5a6 wp-block-column-is-layout-constrained\" style=\"flex-basis:25%\"><a style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--20);margin-right:var(--wp--preset--spacing--20);width: 200px;height: 200px\" class=\"ct-dynamic-media wp-elements-c1c38bace8830d3311f4639397d40144\" aria-label=\"\u201cOltremura: una nuova alba salir\u00e0 dai margini\u201d\" href=\"https:\/\/www.cultweek.com\/oltremura-una-nuova-alba-salira-dai-margini\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span data-hover=\"zoom-in\" class=\"ct-dynamic-media-inner\" style=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1315\" height=\"565\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/3.png\" class=\"attachment-full size-full\" alt=\"\" style=\"width:100%;height:100%;object-fit: contain;\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/3.png 1315w, https:\/\/antignani.art\/wp-content\/uploads\/3-300x129.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/3-1024x440.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/3-768x330.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/3-18x8.png 18w\" sizes=\"auto, (max-width: 1315px) 100vw, 1315px\" \/><\/span><\/a><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div style=\"margin-top:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--70);margin-right:var(--wp--preset--spacing--70)\" class=\"ct-dynamic-data has-text-align-right wp-elements-b82864bb0611d29f1a0a4395b03a49f5 has-small-font-size\"><a href=\"https:\/\/www.cultweek.com\/oltremura-una-nuova-alba-salira-dai-margini\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">2 July 2024<\/a><\/div>\n\n<h3 style=\"font-style:normal;font-weight:500;margin-bottom:var(--wp--preset--spacing--20);margin-top:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--50);margin-right:var(--wp--preset--spacing--50)\" class=\"ct-dynamic-data wp-elements-2cb77ef7563686b15c316fda2cf17225 has-medium-font-size\"><a href=\"https:\/\/www.cultweek.com\/oltremura-una-nuova-alba-salira-dai-margini\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cOltremura: una nuova alba salir\u00e0 dai margini\u201d<\/a><\/h3>\n\n<div style=\"font-size:14px;margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\" class=\"ct-dynamic-data has-text-align-left wp-elements-8895849e4d5cd4e34cbf1e1789b81264\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div><\/div>\n<\/div>\n\n<\/article><article class=\"wp-block-post is-layout-flow post-591 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-content-justification-right is-layout-constrained wp-container-core-column-is-layout-6622d5a6 wp-block-column-is-layout-constrained\" style=\"flex-basis:25%\"><a style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--20);margin-right:var(--wp--preset--spacing--20);width: 200px;height: 200px\" class=\"ct-dynamic-media wp-elements-c1c38bace8830d3311f4639397d40144\" aria-label=\"\u201cSussurra il deserto e si leva la voce: io sono il fratello di Noura&#8221;\" href=\"https:\/\/www.cultweek.com\/sussurra-il-deserto-e-si-leva-la-voce-io-sono-il-fratello-di-noura\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span data-hover=\"zoom-in\" class=\"ct-dynamic-media-inner\" style=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1340\" height=\"565\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/4.png\" class=\"attachment-full size-full\" alt=\"\" style=\"width:100%;height:100%;object-fit: contain;\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/4.png 1340w, https:\/\/antignani.art\/wp-content\/uploads\/4-300x126.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/4-1024x432.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/4-768x324.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/4-18x8.png 18w\" sizes=\"auto, (max-width: 1340px) 100vw, 1340px\" \/><\/span><\/a><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div style=\"margin-top:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--70);margin-right:var(--wp--preset--spacing--70)\" class=\"ct-dynamic-data has-text-align-right wp-elements-b82864bb0611d29f1a0a4395b03a49f5 has-small-font-size\"><a href=\"https:\/\/www.cultweek.com\/sussurra-il-deserto-e-si-leva-la-voce-io-sono-il-fratello-di-noura\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">7 May 2024<\/a><\/div>\n\n<h3 style=\"font-style:normal;font-weight:500;margin-bottom:var(--wp--preset--spacing--20);margin-top:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--50);margin-right:var(--wp--preset--spacing--50)\" class=\"ct-dynamic-data wp-elements-2cb77ef7563686b15c316fda2cf17225 has-medium-font-size\"><a href=\"https:\/\/www.cultweek.com\/sussurra-il-deserto-e-si-leva-la-voce-io-sono-il-fratello-di-noura\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cSussurra il deserto e si leva la voce: io sono il fratello di Noura&#8221;<\/a><\/h3>\n\n<div style=\"font-size:14px;margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\" class=\"ct-dynamic-data has-text-align-left wp-elements-8895849e4d5cd4e34cbf1e1789b81264\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div><\/div>\n<\/div>\n\n<\/article><article class=\"wp-block-post is-layout-flow post-601 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-content-justification-right is-layout-constrained wp-container-core-column-is-layout-6622d5a6 wp-block-column-is-layout-constrained\" style=\"flex-basis:25%\"><a style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--20);margin-right:var(--wp--preset--spacing--20);width: 200px;height: 200px\" class=\"ct-dynamic-media wp-elements-c1c38bace8830d3311f4639397d40144\" aria-label=\"\u201cJeffrey Gibson: essere come un martello per amore degli antenati\u201d\" href=\"https:\/\/www.cultweek.com\/jeffrey-gibson-essere-come-un-martello-per-amore-degli-antenati\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span data-hover=\"zoom-in\" class=\"ct-dynamic-media-inner\" style=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1332\" height=\"566\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/5.png\" class=\"attachment-full size-full\" alt=\"\" style=\"width:100%;height:100%;object-fit: contain;\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/5.png 1332w, https:\/\/antignani.art\/wp-content\/uploads\/5-300x127.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/5-1024x435.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/5-768x326.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/5-18x8.png 18w\" sizes=\"auto, (max-width: 1332px) 100vw, 1332px\" \/><\/span><\/a><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div style=\"margin-top:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--70);margin-right:var(--wp--preset--spacing--70)\" class=\"ct-dynamic-data has-text-align-right wp-elements-b82864bb0611d29f1a0a4395b03a49f5 has-small-font-size\"><a href=\"https:\/\/www.cultweek.com\/jeffrey-gibson-essere-come-un-martello-per-amore-degli-antenati\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">2 April 2024<\/a><\/div>\n\n<h3 style=\"font-style:normal;font-weight:500;margin-bottom:var(--wp--preset--spacing--20);margin-top:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--50);margin-right:var(--wp--preset--spacing--50)\" class=\"ct-dynamic-data wp-elements-2cb77ef7563686b15c316fda2cf17225 has-medium-font-size\"><a href=\"https:\/\/www.cultweek.com\/jeffrey-gibson-essere-come-un-martello-per-amore-degli-antenati\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cJeffrey Gibson: essere come un martello per amore degli antenati\u201d<\/a><\/h3>\n\n<div style=\"font-size:14px;margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\" class=\"ct-dynamic-data has-text-align-left wp-elements-8895849e4d5cd4e34cbf1e1789b81264\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div><\/div>\n<\/div>\n\n<\/article><article class=\"wp-block-post is-layout-flow post-609 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-content-justification-right is-layout-constrained wp-container-core-column-is-layout-6622d5a6 wp-block-column-is-layout-constrained\" style=\"flex-basis:25%\"><a style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--20);margin-right:var(--wp--preset--spacing--20);width: 200px;height: 200px\" class=\"ct-dynamic-media wp-elements-c1c38bace8830d3311f4639397d40144\" aria-label=\"\u201cAve Leonessa Nera\u201d\" href=\"https:\/\/www.cultweek.com\/ave-leonessa-nera\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span data-hover=\"zoom-in\" class=\"ct-dynamic-media-inner\" style=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1322\" height=\"573\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/6.png\" class=\"attachment-full size-full\" alt=\"\" style=\"width:100%;height:100%;object-fit: contain;\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/6.png 1322w, https:\/\/antignani.art\/wp-content\/uploads\/6-300x130.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/6-1024x444.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/6-768x333.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/6-18x8.png 18w\" sizes=\"auto, (max-width: 1322px) 100vw, 1322px\" \/><\/span><\/a><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div style=\"margin-top:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--70);margin-right:var(--wp--preset--spacing--70)\" class=\"ct-dynamic-data has-text-align-right wp-elements-b82864bb0611d29f1a0a4395b03a49f5 has-small-font-size\"><a href=\"https:\/\/www.cultweek.com\/ave-leonessa-nera\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">3 October 2023<\/a><\/div>\n\n<h3 style=\"font-style:normal;font-weight:500;margin-bottom:var(--wp--preset--spacing--20);margin-top:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--50);margin-right:var(--wp--preset--spacing--50)\" class=\"ct-dynamic-data wp-elements-2cb77ef7563686b15c316fda2cf17225 has-medium-font-size\"><a href=\"https:\/\/www.cultweek.com\/ave-leonessa-nera\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cAve Leonessa Nera\u201d<\/a><\/h3>\n\n<div style=\"font-size:14px;margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\" class=\"ct-dynamic-data has-text-align-left wp-elements-8895849e4d5cd4e34cbf1e1789b81264\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div><\/div>\n<\/div>\n\n<\/article><article class=\"wp-block-post is-layout-flow post-616 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-content-justification-right is-layout-constrained wp-container-core-column-is-layout-6622d5a6 wp-block-column-is-layout-constrained\" style=\"flex-basis:25%\"><a style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--20);margin-right:var(--wp--preset--spacing--20);width: 200px;height: 200px\" class=\"ct-dynamic-media wp-elements-c1c38bace8830d3311f4639397d40144\" aria-label=\"\u201cMARTYRION. Corpo, terra, abuso, resistenza\u201d in La Tigre di Carta, n. 26, \u201cIl Ricettivo e la Terra\u201d.\" href=\"https:\/\/www.latigredicarta.it\/2022\/06\/04\/martyrion\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span data-hover=\"zoom-in\" class=\"ct-dynamic-media-inner\" style=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"731\" height=\"544\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/7.png\" class=\"attachment-full size-full\" alt=\"\" style=\"width:100%;height:100%;object-fit: contain;\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/7.png 731w, https:\/\/antignani.art\/wp-content\/uploads\/7-300x223.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/7-16x12.png 16w\" sizes=\"auto, (max-width: 731px) 100vw, 731px\" \/><\/span><\/a><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div style=\"margin-top:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--70);margin-right:var(--wp--preset--spacing--70)\" class=\"ct-dynamic-data has-text-align-right wp-elements-b82864bb0611d29f1a0a4395b03a49f5 has-small-font-size\"><a href=\"https:\/\/www.latigredicarta.it\/2022\/06\/04\/martyrion\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">4 June 2022<\/a><\/div>\n\n<h3 style=\"font-style:normal;font-weight:500;margin-bottom:var(--wp--preset--spacing--20);margin-top:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--50);margin-right:var(--wp--preset--spacing--50)\" class=\"ct-dynamic-data wp-elements-2cb77ef7563686b15c316fda2cf17225 has-medium-font-size\"><a href=\"https:\/\/www.latigredicarta.it\/2022\/06\/04\/martyrion\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cMARTYRION. Corpo, terra, abuso, resistenza\u201d in La Tigre di Carta, n. 26, \u201cIl Ricettivo e la Terra\u201d.<\/a><\/h3>\n\n<div style=\"font-size:14px;margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\" class=\"ct-dynamic-data has-text-align-left wp-elements-8895849e4d5cd4e34cbf1e1789b81264\"><p>\ud83d\udd17latigredicarta.it<\/p>\n<\/div><\/div>\n<\/div>\n\n<\/article><article class=\"wp-block-post is-layout-flow post-621 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-content-justification-right is-layout-constrained wp-container-core-column-is-layout-6622d5a6 wp-block-column-is-layout-constrained\" style=\"flex-basis:25%\"><a style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--20);margin-right:var(--wp--preset--spacing--20);width: 200px;height: 200px\" class=\"ct-dynamic-media wp-elements-c1c38bace8830d3311f4639397d40144\" aria-label=\"\u201cSi \u00e8 sempre in pochi a essere maturi in un grappolo di uva ancora acerba\u201d, Telescope a cura di Lara Facco\" href=\"https:\/\/api.artshell.eu\/email\/dispatches\/5f796e9e0cfbbb0013b25bec\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span data-hover=\"zoom-in\" class=\"ct-dynamic-media-inner\" style=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"587\" height=\"512\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/8.png\" class=\"attachment-full size-full\" alt=\"\" style=\"width:100%;height:100%;object-fit: contain;\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/8.png 587w, https:\/\/antignani.art\/wp-content\/uploads\/8-300x262.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/8-14x12.png 14w\" sizes=\"auto, (max-width: 587px) 100vw, 587px\" \/><\/span><\/a><\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:75%\"><div style=\"margin-top:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--70);margin-right:var(--wp--preset--spacing--70)\" class=\"ct-dynamic-data has-text-align-right wp-elements-b82864bb0611d29f1a0a4395b03a49f5 has-small-font-size\"><a href=\"https:\/\/api.artshell.eu\/email\/dispatches\/5f796e9e0cfbbb0013b25bec\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">4 October 2020<\/a><\/div>\n\n<h3 style=\"font-style:normal;font-weight:500;margin-bottom:var(--wp--preset--spacing--20);margin-top:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--50);margin-right:var(--wp--preset--spacing--50)\" class=\"ct-dynamic-data wp-elements-2cb77ef7563686b15c316fda2cf17225 has-medium-font-size\"><a href=\"https:\/\/api.artshell.eu\/email\/dispatches\/5f796e9e0cfbbb0013b25bec\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cSi \u00e8 sempre in pochi a essere maturi in un grappolo di uva ancora acerba\u201d, Telescope a cura di Lara Facco<\/a><\/h3>\n\n<div style=\"font-size:14px;margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\" class=\"ct-dynamic-data has-text-align-left wp-elements-8895849e4d5cd4e34cbf1e1789b81264\"><p>\ud83d\udd17api.artshell.eu<\/p>\n<\/div><\/div>\n<\/div>\n\n<\/article><article class=\"wp-block-post is-layout-flow post-625 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\">\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-995f960e wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-content-justification-right is-layout-constrained wp-container-core-column-is-layout-6622d5a6 wp-block-column-is-layout-constrained\" style=\"flex-basis:25%\"><a style=\"margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--20);margin-right:var(--wp--preset--spacing--20);width: 200px;height: 200px\" class=\"ct-dynamic-media wp-elements-c1c38bace8830d3311f4639397d40144\" aria-label=\"\u201cAndrea Contin, L\u2019estetica sospesa del conflitto\u201d\" href=\"https:\/\/www.cultweek.com\/contin\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span data-hover=\"zoom-in\" class=\"ct-dynamic-media-inner\" style=\"\"><img loading=\"lazy\" decoding=\"async\" width=\"1342\" height=\"572\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/9.png\" class=\"attachment-full size-full\" alt=\"\" style=\"width:100%;height:100%;object-fit: contain;\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/9.png 1342w, 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style=\"font-style:normal;font-weight:500;margin-bottom:var(--wp--preset--spacing--20);margin-top:var(--wp--preset--spacing--20);margin-left:var(--wp--preset--spacing--50);margin-right:var(--wp--preset--spacing--50)\" class=\"ct-dynamic-data wp-elements-2cb77ef7563686b15c316fda2cf17225 has-medium-font-size\"><a href=\"https:\/\/www.cultweek.com\/contin\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cAndrea Contin, L\u2019estetica sospesa del conflitto\u201d<\/a><\/h3>\n\n<div style=\"font-size:14px;margin-right:var(--wp--preset--spacing--60);margin-left:var(--wp--preset--spacing--60);margin-top:var(--wp--preset--spacing--20);margin-bottom:var(--wp--preset--spacing--20)\" class=\"ct-dynamic-data has-text-align-left wp-elements-8895849e4d5cd4e34cbf1e1789b81264\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div><\/div>\n<\/div>\n\n<\/article><\/div>\n\t\t<nav class=\"ct-pagination\" data-pagination=\"simple\"  >\n\t\t\t<div class=\"ct-hidden-sm\"><span aria-current=\"page\" 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class=\"ct-query-template-grid ct-has-link-overlay\"><article class=\"wp-block-post is-layout-flow post-1288 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\"><a href=\"https:\/\/www.cultweek.com\/viva-le-donne-in-rivolta-del-rojava-e-la-testimonianza-di-zehra-dogan\/\" class=\"ct-link-overlay\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><\/a>\n<div style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);border-top-left-radius:1px;border-top-right-radius:1px;border-bottom-left-radius:1px;border-bottom-right-radius:1px;min-height: 120px\" class=\"wp-block-cover ct-dynamic-cover has-custom-content-position is-position-bottom-center wp-elements-87356e2276617c6378711beefccbfd60\"><span class=\"wp-block-cover__background\" aria-hidden=\"true\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1342\" height=\"566\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA.png\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA.png 1342w, https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA-300x127.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA-1024x432.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA-768x324.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/ROJAVA-18x8.png 18w\" sizes=\"auto, (max-width: 1342px) 100vw, 1342px\" \/><div class=\"wp-block-cover__inner-container ct-dynamic-cover__inner-2 is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h2 style=\"font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.645), 24px)\" class=\"ct-dynamic-data has-text-align-center wp-elements-7446052c940cae0ba9fb5180c2a82240 wp-elements-c20dc550c2dc1cc32b926fd26cc7e94e\"><a href=\"https:\/\/www.cultweek.com\/viva-le-donne-in-rivolta-del-rojava-e-la-testimonianza-di-zehra-dogan\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">&#8220;Viva le donne in rivolta del Rojava e la testimonianza di Zehra Dogan&#8221;<\/a><\/h2>\n\n<div style=\"font-size:12px;text-transform:uppercase\" class=\"ct-dynamic-data has-text-align-center wp-elements-d79cf465bc7c149039fd2a685c9513f2\">10 March 2026<\/div>\n\n<div style=\"font-size:14px\" class=\"ct-dynamic-data has-text-align-center wp-elements-d477e9b0743a3b9027e4fd069ad77f02\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div>\n<\/div><\/div>\n<\/article><article class=\"wp-block-post is-layout-flow post-556 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\"><a href=\"https:\/\/www.cultweek.com\/shirin-neshat-nostalgia-come-motore-immobile\/\" class=\"ct-link-overlay\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><\/a>\n<div 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decoding=\"async\" width=\"1337\" height=\"563\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/2.png\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/2.png 1337w, https:\/\/antignani.art\/wp-content\/uploads\/2-300x126.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/2-1024x431.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/2-768x323.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/2-18x8.png 18w\" sizes=\"auto, (max-width: 1337px) 100vw, 1337px\" \/><div class=\"wp-block-cover__inner-container ct-dynamic-cover__inner-4 is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h2 style=\"font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.645), 24px)\" class=\"ct-dynamic-data has-text-align-center wp-elements-7446052c940cae0ba9fb5180c2a82240 wp-elements-c20dc550c2dc1cc32b926fd26cc7e94e\"><a href=\"https:\/\/www.cultweek.com\/lombra-del-maglio-lombra-di-tutti\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cL\u2019ombra del maglio, l\u2019ombra di tutti\u201d<\/a><\/h2>\n\n<div style=\"font-size:12px;text-transform:uppercase\" class=\"ct-dynamic-data has-text-align-center wp-elements-d79cf465bc7c149039fd2a685c9513f2\">4 February 2025<\/div>\n\n<div style=\"font-size:14px\" class=\"ct-dynamic-data has-text-align-center wp-elements-d477e9b0743a3b9027e4fd069ad77f02\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div>\n<\/div><\/div>\n<\/article><article class=\"wp-block-post is-layout-flow post-585 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\"><a href=\"https:\/\/www.cultweek.com\/oltremura-una-nuova-alba-salira-dai-margini\/\" class=\"ct-link-overlay\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><\/a>\n<div style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);border-top-left-radius:1px;border-top-right-radius:1px;border-bottom-left-radius:1px;border-bottom-right-radius:1px;min-height: 120px\" class=\"wp-block-cover ct-dynamic-cover has-custom-content-position is-position-bottom-center wp-elements-87356e2276617c6378711beefccbfd60\"><span class=\"wp-block-cover__background\" aria-hidden=\"true\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1315\" height=\"565\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/3.png\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/3.png 1315w, https:\/\/antignani.art\/wp-content\/uploads\/3-300x129.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/3-1024x440.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/3-768x330.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/3-18x8.png 18w\" sizes=\"auto, (max-width: 1315px) 100vw, 1315px\" \/><div class=\"wp-block-cover__inner-container ct-dynamic-cover__inner-5 is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h2 style=\"font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.645), 24px)\" class=\"ct-dynamic-data has-text-align-center wp-elements-7446052c940cae0ba9fb5180c2a82240 wp-elements-c20dc550c2dc1cc32b926fd26cc7e94e\"><a href=\"https:\/\/www.cultweek.com\/oltremura-una-nuova-alba-salira-dai-margini\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cOltremura: una nuova alba salir\u00e0 dai margini\u201d<\/a><\/h2>\n\n<div style=\"font-size:12px;text-transform:uppercase\" class=\"ct-dynamic-data has-text-align-center wp-elements-d79cf465bc7c149039fd2a685c9513f2\">2 July 2024<\/div>\n\n<div style=\"font-size:14px\" class=\"ct-dynamic-data has-text-align-center wp-elements-d477e9b0743a3b9027e4fd069ad77f02\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div>\n<\/div><\/div>\n<\/article><article class=\"wp-block-post is-layout-flow post-591 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\"><a href=\"https:\/\/www.cultweek.com\/sussurra-il-deserto-e-si-leva-la-voce-io-sono-il-fratello-di-noura\/\" class=\"ct-link-overlay\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><\/a>\n<div style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);border-top-left-radius:1px;border-top-right-radius:1px;border-bottom-left-radius:1px;border-bottom-right-radius:1px;min-height: 120px\" class=\"wp-block-cover ct-dynamic-cover has-custom-content-position is-position-bottom-center wp-elements-87356e2276617c6378711beefccbfd60\"><span class=\"wp-block-cover__background\" aria-hidden=\"true\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1340\" height=\"565\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/4.png\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/4.png 1340w, https:\/\/antignani.art\/wp-content\/uploads\/4-300x126.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/4-1024x432.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/4-768x324.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/4-18x8.png 18w\" sizes=\"auto, (max-width: 1340px) 100vw, 1340px\" \/><div class=\"wp-block-cover__inner-container ct-dynamic-cover__inner-6 is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h2 style=\"font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.645), 24px)\" class=\"ct-dynamic-data has-text-align-center wp-elements-7446052c940cae0ba9fb5180c2a82240 wp-elements-c20dc550c2dc1cc32b926fd26cc7e94e\"><a href=\"https:\/\/www.cultweek.com\/sussurra-il-deserto-e-si-leva-la-voce-io-sono-il-fratello-di-noura\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cSussurra il deserto e si leva la voce: io sono il fratello di Noura&#8221;<\/a><\/h2>\n\n<div style=\"font-size:12px;text-transform:uppercase\" class=\"ct-dynamic-data has-text-align-center wp-elements-d79cf465bc7c149039fd2a685c9513f2\">7 May 2024<\/div>\n\n<div style=\"font-size:14px\" class=\"ct-dynamic-data has-text-align-center wp-elements-d477e9b0743a3b9027e4fd069ad77f02\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div>\n<\/div><\/div>\n<\/article><article class=\"wp-block-post is-layout-flow post-601 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\"><a href=\"https:\/\/www.cultweek.com\/jeffrey-gibson-essere-come-un-martello-per-amore-degli-antenati\/\" class=\"ct-link-overlay\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><\/a>\n<div style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);border-top-left-radius:1px;border-top-right-radius:1px;border-bottom-left-radius:1px;border-bottom-right-radius:1px;min-height: 120px\" class=\"wp-block-cover ct-dynamic-cover has-custom-content-position is-position-bottom-center wp-elements-87356e2276617c6378711beefccbfd60\"><span class=\"wp-block-cover__background\" aria-hidden=\"true\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1332\" height=\"566\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/5.png\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/5.png 1332w, https:\/\/antignani.art\/wp-content\/uploads\/5-300x127.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/5-1024x435.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/5-768x326.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/5-18x8.png 18w\" sizes=\"auto, (max-width: 1332px) 100vw, 1332px\" \/><div class=\"wp-block-cover__inner-container ct-dynamic-cover__inner-7 is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h2 style=\"font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.645), 24px)\" class=\"ct-dynamic-data has-text-align-center wp-elements-7446052c940cae0ba9fb5180c2a82240 wp-elements-c20dc550c2dc1cc32b926fd26cc7e94e\"><a href=\"https:\/\/www.cultweek.com\/jeffrey-gibson-essere-come-un-martello-per-amore-degli-antenati\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cJeffrey Gibson: essere come un martello per amore degli antenati\u201d<\/a><\/h2>\n\n<div style=\"font-size:12px;text-transform:uppercase\" class=\"ct-dynamic-data has-text-align-center wp-elements-d79cf465bc7c149039fd2a685c9513f2\">2 April 2024<\/div>\n\n<div style=\"font-size:14px\" class=\"ct-dynamic-data has-text-align-center wp-elements-d477e9b0743a3b9027e4fd069ad77f02\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div>\n<\/div><\/div>\n<\/article><article class=\"wp-block-post is-layout-flow post-609 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\"><a href=\"https:\/\/www.cultweek.com\/ave-leonessa-nera\/\" class=\"ct-link-overlay\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><\/a>\n<div style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);border-top-left-radius:1px;border-top-right-radius:1px;border-bottom-left-radius:1px;border-bottom-right-radius:1px;min-height: 120px\" class=\"wp-block-cover ct-dynamic-cover has-custom-content-position is-position-bottom-center wp-elements-87356e2276617c6378711beefccbfd60\"><span class=\"wp-block-cover__background\" aria-hidden=\"true\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1322\" height=\"573\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/6.png\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/6.png 1322w, https:\/\/antignani.art\/wp-content\/uploads\/6-300x130.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/6-1024x444.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/6-768x333.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/6-18x8.png 18w\" sizes=\"auto, (max-width: 1322px) 100vw, 1322px\" \/><div class=\"wp-block-cover__inner-container ct-dynamic-cover__inner-8 is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h2 style=\"font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.645), 24px)\" class=\"ct-dynamic-data has-text-align-center wp-elements-7446052c940cae0ba9fb5180c2a82240 wp-elements-c20dc550c2dc1cc32b926fd26cc7e94e\"><a href=\"https:\/\/www.cultweek.com\/ave-leonessa-nera\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cAve Leonessa Nera\u201d<\/a><\/h2>\n\n<div style=\"font-size:12px;text-transform:uppercase\" class=\"ct-dynamic-data has-text-align-center wp-elements-d79cf465bc7c149039fd2a685c9513f2\">3 October 2023<\/div>\n\n<div style=\"font-size:14px\" class=\"ct-dynamic-data has-text-align-center wp-elements-d477e9b0743a3b9027e4fd069ad77f02\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div>\n<\/div><\/div>\n<\/article><article class=\"wp-block-post is-layout-flow post-616 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\"><a href=\"https:\/\/www.latigredicarta.it\/2022\/06\/04\/martyrion\/\" class=\"ct-link-overlay\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><\/a>\n<div style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);border-top-left-radius:1px;border-top-right-radius:1px;border-bottom-left-radius:1px;border-bottom-right-radius:1px;min-height: 120px\" class=\"wp-block-cover ct-dynamic-cover has-custom-content-position is-position-bottom-center wp-elements-87356e2276617c6378711beefccbfd60\"><span class=\"wp-block-cover__background\" aria-hidden=\"true\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"731\" height=\"544\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/7.png\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/7.png 731w, https:\/\/antignani.art\/wp-content\/uploads\/7-300x223.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/7-16x12.png 16w\" sizes=\"auto, (max-width: 731px) 100vw, 731px\" \/><div class=\"wp-block-cover__inner-container ct-dynamic-cover__inner-9 is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h2 style=\"font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.645), 24px)\" class=\"ct-dynamic-data has-text-align-center wp-elements-7446052c940cae0ba9fb5180c2a82240 wp-elements-c20dc550c2dc1cc32b926fd26cc7e94e\"><a href=\"https:\/\/www.latigredicarta.it\/2022\/06\/04\/martyrion\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cMARTYRION. Corpo, terra, abuso, resistenza\u201d in La Tigre di Carta, n. 26, \u201cIl Ricettivo e la Terra\u201d.<\/a><\/h2>\n\n<div style=\"font-size:12px;text-transform:uppercase\" class=\"ct-dynamic-data has-text-align-center wp-elements-d79cf465bc7c149039fd2a685c9513f2\">4 June 2022<\/div>\n\n<div style=\"font-size:14px\" class=\"ct-dynamic-data has-text-align-center wp-elements-d477e9b0743a3b9027e4fd069ad77f02\"><p>\ud83d\udd17latigredicarta.it<\/p>\n<\/div>\n<\/div><\/div>\n<\/article><article class=\"wp-block-post is-layout-flow post-621 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\"><a href=\"https:\/\/api.artshell.eu\/email\/dispatches\/5f796e9e0cfbbb0013b25bec\" class=\"ct-link-overlay\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><\/a>\n<div style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);border-top-left-radius:1px;border-top-right-radius:1px;border-bottom-left-radius:1px;border-bottom-right-radius:1px;min-height: 120px\" class=\"wp-block-cover ct-dynamic-cover has-custom-content-position is-position-bottom-center wp-elements-87356e2276617c6378711beefccbfd60\"><span class=\"wp-block-cover__background\" aria-hidden=\"true\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"587\" height=\"512\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/8.png\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/8.png 587w, https:\/\/antignani.art\/wp-content\/uploads\/8-300x262.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/8-14x12.png 14w\" sizes=\"auto, (max-width: 587px) 100vw, 587px\" \/><div class=\"wp-block-cover__inner-container ct-dynamic-cover__inner-10 is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h2 style=\"font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.645), 24px)\" class=\"ct-dynamic-data has-text-align-center wp-elements-7446052c940cae0ba9fb5180c2a82240 wp-elements-c20dc550c2dc1cc32b926fd26cc7e94e\"><a href=\"https:\/\/api.artshell.eu\/email\/dispatches\/5f796e9e0cfbbb0013b25bec\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cSi \u00e8 sempre in pochi a essere maturi in un grappolo di uva ancora acerba\u201d, Telescope a cura di Lara Facco<\/a><\/h2>\n\n<div style=\"font-size:12px;text-transform:uppercase\" class=\"ct-dynamic-data has-text-align-center wp-elements-d79cf465bc7c149039fd2a685c9513f2\">4 October 2020<\/div>\n\n<div style=\"font-size:14px\" class=\"ct-dynamic-data has-text-align-center wp-elements-d477e9b0743a3b9027e4fd069ad77f02\"><p>\ud83d\udd17api.artshell.eu<\/p>\n<\/div>\n<\/div><\/div>\n<\/article><article class=\"wp-block-post is-layout-flow post-625 post type-post status-publish format-standard has-post-thumbnail hentry category-publications\"><a href=\"https:\/\/www.cultweek.com\/contin\/\" class=\"ct-link-overlay\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><\/a>\n<div style=\"padding-top:var(--wp--preset--spacing--50);padding-bottom:var(--wp--preset--spacing--50);padding-left:var(--wp--preset--spacing--50);padding-right:var(--wp--preset--spacing--50);border-top-left-radius:1px;border-top-right-radius:1px;border-bottom-left-radius:1px;border-bottom-right-radius:1px;min-height: 120px\" class=\"wp-block-cover ct-dynamic-cover has-custom-content-position is-position-bottom-center wp-elements-87356e2276617c6378711beefccbfd60\"><span class=\"wp-block-cover__background\" aria-hidden=\"true\"><\/span><img loading=\"lazy\" decoding=\"async\" width=\"1342\" height=\"572\" src=\"https:\/\/antignani.art\/wp-content\/uploads\/9.png\" class=\"wp-block-cover__image-background wp-post-image\" alt=\"\" srcset=\"https:\/\/antignani.art\/wp-content\/uploads\/9.png 1342w, https:\/\/antignani.art\/wp-content\/uploads\/9-300x128.png 300w, https:\/\/antignani.art\/wp-content\/uploads\/9-1024x436.png 1024w, https:\/\/antignani.art\/wp-content\/uploads\/9-768x327.png 768w, https:\/\/antignani.art\/wp-content\/uploads\/9-18x8.png 18w\" sizes=\"auto, (max-width: 1342px) 100vw, 1342px\" \/><div class=\"wp-block-cover__inner-container ct-dynamic-cover__inner-11 is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h2 style=\"font-size:clamp(15.747px, 0.984rem + ((1vw - 3.2px) * 0.645), 24px)\" class=\"ct-dynamic-data has-text-align-center wp-elements-7446052c940cae0ba9fb5180c2a82240 wp-elements-c20dc550c2dc1cc32b926fd26cc7e94e\"><a href=\"https:\/\/www.cultweek.com\/contin\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">\u201cAndrea Contin, L\u2019estetica sospesa del conflitto\u201d<\/a><\/h2>\n\n<div style=\"font-size:12px;text-transform:uppercase\" class=\"ct-dynamic-data has-text-align-center wp-elements-d79cf465bc7c149039fd2a685c9513f2\">24 April 2018<\/div>\n\n<div style=\"font-size:14px\" class=\"ct-dynamic-data has-text-align-center wp-elements-d477e9b0743a3b9027e4fd069ad77f02\"><p>\ud83d\udd17cultweek.com<\/p>\n<\/div>\n<\/div><\/div>\n<\/article><\/div>\n\t\t<nav class=\"ct-pagination\" data-pagination=\"simple\"  >\n\t\t\t<div class=\"ct-hidden-sm\"><span aria-current=\"page\" class=\"page-numbers current\">1<\/span>\n<a class=\"page-numbers\" href=\"https:\/\/antignani.art\/en\/wp-json\/wp\/v2\/pages\/703\/?query-2de3cada=2\">2<\/a><\/div><a class=\"next page-numbers\" rel=\"next\" href=\"https:\/\/antignani.art\/en\/wp-json\/wp\/v2\/pages\/703\/?query-2de3cada=2\">Next <svg width=\"9px\" height=\"9px\" viewBox=\"0 0 15 15\" fill=\"currentColor\"><path d=\"M4.1,15c0.2,0,0.4-0.1,0.6-0.2L11.4,8c0.3-0.3,0.3-0.8,0-1.1L4.8,0.2C4.5-0.1,4-0.1,3.7,0.2C3.4,0.5,3.4,1,3.7,1.3l6.1,6.1l-6.2,6.2c-0.3,0.3-0.3,0.8,0,1.1C3.7,14.9,3.9,15,4.1,15z\"\/><\/svg><\/a>\n\t\t\t\n\t\t<\/nav><style>[data-id='2de3cada'] {--grid-columns-gap:var(--wp--preset--spacing--20);--grid-columns-width:1;}@media (max-width: 689.98px) {[data-id='2de3cada'] {--grid-columns-width:1;}}<\/style><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_gspb_post_css":"#gspb_row-id-gsbp-a69c844{justify-content:space-between;margin-bottom:0;display:flex;flex-wrap:wrap;margin-top:70px}#gspb_row-id-gsbp-a69c844>.gspb_row__content{display:flex;justify-content:space-between;margin:0 auto;width:100%;flex-wrap:wrap;max-width:1200px}.gspb_row{position:relative}div[id^=gspb_col-id]{box-sizing:border-box;position:relative;padding:var(--gs-row-column-padding, 15px min(3vw, 20px))}@media (max-width:991.98px){#gspb_row-id-gsbp-a69c844{margin-bottom:0}}@media (max-width:575.98px){body #gspb_row-id-gsbp-a69c844{display:none!important}}@media (min-width:768px) and (max-width:991.98px){body #gspb_row-id-gsbp-a69c844{display:none!important}}#gspb_col-id-gsbp-d7aa595.gspb_row__col--12{width:100%}@media (max-width:575.98px){#gspb_col-id-gsbp-d7aa595.gspb_row__col--12{width:100%}}.gspb_container-id-gsbp-895e14d{flex-direction:column;box-sizing:border-box}#gspb_container-id-gsbp-895e14d.gspb_container>p:last-of-type{margin-bottom:0}#gspb_container-id-gsbp-895e14d.gspb_container{position:relative;margin-top:20px;box-sizing:border-box}@media (min-width:992px){body.gspb-bodyfront #gspb_container-id-gsbp-895e14d.gspb_container{display:none!important}}@media (max-width:991.98px){body.gspb-bodyfront #gspb_container-id-gsbp-895e14d.gspb_container{max-width:600px}}","footnotes":""},"class_list":["post-703","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/antignani.art\/en\/wp-json\/wp\/v2\/pages\/703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antignani.art\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/antignani.art\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/antignani.art\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antignani.art\/en\/wp-json\/wp\/v2\/comments?post=703"}],"version-history":[{"count":12,"href":"https:\/\/antignani.art\/en\/wp-json\/wp\/v2\/pages\/703\/revisions"}],"predecessor-version":[{"id":2265,"href":"https:\/\/antignani.art\/en\/wp-json\/wp\/v2\/pages\/703\/revisions\/2265"}],"wp:attachment":[{"href":"https:\/\/antignani.art\/en\/wp-json\/wp\/v2\/media?parent=703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}